{"id":3129,"date":"2014-03-18T12:10:23","date_gmt":"2014-03-18T19:10:23","guid":{"rendered":"http:\/\/filmquarterly.futurepruf.com\/?p=3129"},"modified":"2020-07-15T16:46:28","modified_gmt":"2020-07-15T23:46:28","slug":"winter-2013-volume-67-number-2","status":"publish","type":"post","link":"https:\/\/filmquarterly.org\/2014\/03\/18\/winter-2013-volume-67-number-2\/","title":{"rendered":"Winter 2013: Volume 67, Number 2"},"content":{"rendered":"

\"\"FROM THE EDITOR<\/strong>
\nFilm [sic<\/em>]
\nB. Ruby Rich<\/a><\/span><\/p>\n

SPECIAL DOSSIER ON THE ACT OF KILLING<\/em><\/strong>
\nIntroduction<\/a>
\nB. Ruby Rich<\/p>\n

The Act Of Killing<\/i> and The Dilemmas Of History<\/a>
\nBrad Simpson<\/p>\n

Referred Pain: The Act Of Killing<\/i> and the Production of a Crime Scene<\/a>
\nJanet Walker<\/p>\n

We Love Impunity: The Case of The Act Of Killing<\/i><\/a>
\nNick Fraser<\/p>\n

Irony, Cruelty, Evil (and A Wink) in The Act Of Killing<\/i><\/a>
\nBill Nichols<\/p>\n

Born Free? Repetition and Fantasy in The Act Of Killing<\/i><\/a>
\nHomay King<\/p>\n

“It’s All About Finding The Right Excuse” in Joshua Oppenheimer’s The Act Of Killing<\/i><\/a>
\nWarren Crichlow<\/p>\n

Tracing Frictions in The Act Of Killing<\/i><\/a>
\nIntan Paramaditha<\/p>\n

The Fever Dream Of Documentary: A Conversation with Joshua Oppenheimer<\/a>
\nIrene Lusztig<\/p>\n

COLUMNS
\nScreenings<\/strong>
\nLetter from Mexico City<\/a>
\nPaul Julian Smith<\/p>\n

The Vulnerable Spectator<\/strong>
\nVagaries of Memory and Verities of Form<\/a>
\nAmelie Haste<\/p>\n

FEATURES<\/strong>
\nHow Do We Look?<\/em> An Interview with Fatimah Tobing Rony<\/a>
\nPooja Rangan<\/p>\n

FESTIVALS AND CONFERENCES<\/strong>
\nMorelia Film Festival: Focus On The Personal Reimagines a Fraught Social Contract<\/a><\/span>
\n Paulina Su\u00e1rez-Hesketh<\/a><\/span><\/p>\n

Ominous Faultlines in a World Gone Wrong: Courmayeur Noir in Festival<\/a>
\nRandy Malamud<\/p>\n

Age Appropriate? Sundance’s Women Filmmakers Come Next<\/a>
\nPatricia White<\/p>\n

Sundance at Thirty<\/a>
\nB. Ruby Rich<\/p>\n

BOOK REVIEWS<\/strong>
\nEdgar G. Ulmer: A Filmmaker at the Margins<\/em> by Noah Isenberg<\/a>
\nDavid Sterritt<\/p>\n

An Archaeology of Sympathy: The Sentimental Mode in Literature and Cinema<\/em> by James Chandler<\/a>
\nRicky D\u2019Ambrose<\/p>\n

The Desiring-Image: Gilles Deleuze and Contemporary Queer Cinema<\/em> by Nick Davis Ethereal Queer: Television, Historicity, Desire<\/em> by Amy Villarejo<\/a>
\nManuel Betancourt<\/p>\n

Education in the School of Dreams: Travelogues and Early Nonfiction Film<\/em> by Jennifer Lynn Peterson<\/a>
\nNeta Alexander<\/p>\n

Fosse<\/em> by Sam Wasson<\/a>
\nEd Sikov<\/p>\n

The Age of New Waves: Art Cinema and the Staging of Globalization<\/em> by James Tweetie<\/a>
\nRaymond Watkins<\/p>\n

American Ethnographic Film and Personal Documentary: The Cambridge Turn<\/em> by Scott MacDonald<\/a>
\nKevin Sherman<\/p>\n

Spike Lee’s America<\/em> by David Sterritt<\/a>
\nZeba Blay<\/p>\n","protected":false},"excerpt":{"rendered":"

FEATURES: A Special Dossier on The Act of Killing<\/i>; An interview with Fatimah Tobing Rony; The Morelia Film Festival; Sundance at Thirty; and more…<\/p>\n","protected":false},"author":114460377,"featured_media":5569,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_crdt_document":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false},"categories":[629],"tags":[8105,553,117331,559223660,9499770,19445365,2282,250147,78442,59002694],"class_list":["post-3129","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-issues","tag-documentary","tag-feminism","tag-film-festivals","tag-fq-67-2","tag-joshua-oppenheimer","tag-morelia-film-festival","tag-social-justice","tag-sundance","tag-table-of-contents","tag-the-act-of-killing"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/filmquarterly.org\/wp-content\/uploads\/2014\/03\/film_sic_featured.jpg?fit=1200%2C674&ssl=1","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87utL-Ot","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/filmquarterly.org\/wp-json\/wp\/v2\/posts\/3129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmquarterly.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmquarterly.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmquarterly.org\/wp-json\/wp\/v2\/users\/114460377"}],"replies":[{"embeddable":true,"href":"https:\/\/filmquarterly.org\/wp-json\/wp\/v2\/comments?post=3129"}],"version-history":[{"count":6,"href":"https:\/\/filmquarterly.org\/wp-json\/wp\/v2\/posts\/3129\/revisions"}],"predecessor-version":[{"id":9026,"href":"https:\/\/filmquarterly.org\/wp-json\/wp\/v2\/posts\/3129\/revisions\/9026"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmquarterly.org\/wp-json\/wp\/v2\/media\/5569"}],"wp:attachment":[{"href":"https:\/\/filmquarterly.org\/wp-json\/wp\/v2\/media?parent=3129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmquarterly.org\/wp-json\/wp\/v2\/categories?post=3129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmquarterly.org\/wp-json\/wp\/v2\/tags?post=3129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}